Thursday, 8 October 2015

Craft Conversations with the Pros | Manoli Navarro "Picatua"


Today we go back to Spain, this time to Galicia (North West of Spain) to get to know a bit better one of the best known paper crafters in my native country. Her name Manoli Navarro though she is better known as Manoli Picatua.


Manoli, when and how did you start in the craft industry? 

I started paper crafting when we moved to Galicia in 2004, I started with the digital side, I used to print out the patterned papers to make cards and then scrapbooked digitally.
We had to changed very dramatically when our youngest daughter was born, as she was born prematurely and with a lot of health problems. At the time, I was working in the marketing and advertising world in Spain's capital Madrid. Suddenly I was in a small city in the middle of inland Galicia without being able to work outside the home as I needed to care for my little one. I needed to distract my mind and give an outlet to all the emotions that I experienced and scrapbooking was that outlet. It wasn't till 2005 that I did not make a layout in paper.


Was it full time? Part time?
From 2006 was a full time job.

What type of job did you have at first? Did you started as a creative straight away?
I started selling cards to a group of Germans expats living in Torrevieja (Alicante, Spain). I would send the cards by postal mail and my mum would sell them to them every week.
I soon started to have regular clients, but soon they started to be more demanding and asked for personalised cards. That was the reason I created my blog.
In october 2006 I found the first online Spanish Scrapbooking forum, a forum created by a retail shop in Barcelona. After that, I was asked to do their online shop even if I was 1000km (621 miles) away! As well as teach online workshops and work with their magazine. I was already teaching in Galicia (since 2007) and in 2008 I taught for the first time in Creativa Barcelona (the most stablished paper crafting show in Spain).

How do you describe your job nowadays?
I work in something that I am passionate about, I can see myself working in anything else. It is a hard job because you need to be do many things at once, but I love what I do and I believe in it.

What would you do differently? 
 Its a difficult question, because I always say that the experiences are what help you to get to where you are now and maybe, if I had not gone through all that I have gone through professionally, I would not be who I am in the world of scrapbooking.
Perhaps I would have become independent sooner, by that i mean to become a freelancer and not to be so much dependent of the shops.
Of my projects, I would not make anything different. For me, albums, altered art, layouts have a reason of being, independently of the colour or papers I used. My current style is the evolution of everything that I have been trying in my journey. I don't like too much my colourful phase. 



Out of everything you do and have done, what is your favourite?
Teaching in person. I have taught workshops in all sorts, even online live every week every friday for 3 years. I teach online through PDFs and make tutorials for Design Teams, but what you can feel in a workshop in person its not describable. The nerves because of the worry if you have forgotten something, the faces full of excitement of the students when they take home the made up project, the hugs and their affection... You can't tell that, you have to experience it.
Whats your proudest moment and achievement?
The proudest moment was this year when i was invited to teach at Chocolate Quente XL in Oporto at an international event with four big artists of the crap world like Shimelle or Diane Schultz dueña de Graphic 45, it was an honour to have them as colleagues.
However, if there is something that I can be proud of is of the largest event that happens in Galicia, of which I am the founder and it's already on its 5th edition. It is an event where it doesnt matter whether you are shop, teacher or scrapbooker, that day everyone is sitting down just the same as colleagues. They close their shops so that they can come to the event without any competition or bad atmosphere.



Is it hard to work full/part time in the craft industry? Can you name your major challenges you face?
Yes, its very difficult. I am going to very honest here as we are between friends! 
In Spain there a very few professionals, and by professional I mean people who are registered sole trader and pay their taxes as such. When you offer to teach a workshop at a shop, the shops rarely ask you to be one, so that everyone can teach.
Another problem is the crisis, before shops and teachers fought in the same path, now I suppose due to the fact that shops have had their sales drop, little by little the shops themselves become our competitors because they bring down the prices of workshops to a point where its impossible to compete.
My company is small family business. My husband and I work in the business, as I cant just teach, I am a crafter that sells what I do, specially cards for events. Again, the crisis has made that because of necessity, people that are not professionals sell stuff at ridiculous low prices for weddings and other events, as they don't pay taxes and the client chooses the cheapest.
The other great issue is to be updating daily in social media. If you are creating a project for a Design Team, for an online shop, to teach at a workshop and shows, when do you publicise it? When do you update the blog? When do you answer and engage with your followers?
A small business like mine cant afford a community manager or a social media manager. Because of that you are always trying to balance timing so that you don't take away time with the family, so you end up sacrificing sleep. 
I could go on, but I am going to leave it here... Because after all, it is worth it.


What do you think is more important to make it in this industry: creative talent, hard work or luck?
Hardwork of course. One can have a lot of talent and be very creative, but if you want to survive in this industry you wont do it if you dont put all your efforts and persist. Through all these years, I have seen how other artists have grown because of their creative talent and marketing skills, bit the difficult bit is not to go up but maintaining yourself.

What would you like to see changing in the craft industry?

I would love it if, like the crafters guild, there was a legislation or something that regulated prices and working conditions. That also protected us professionals from plagiarism, professional abuse and intrusiveness. An association of sorts.
In Spain above all else there is a great ignorance of what it is a scrapbooking professional, because of that when you are negotiating prices and workshops there are concepts that not even shops understand, like why it is compulsory to pay a compensation fee for cancelling an event. As a professional, you have done the budget, booked a date and then you find out only three days before hand that the shop cancels the workshop because its not as full as they expected. You as a professional have lost a full day of physical work, but maybe it was a full week of real work preparing kits and the project. The brands, companies and shops forget that you are not only working the day that you have been hired to do the workshop, but meanwhile you have worked a full week that no one is paying directly for.  
This is what i would like to highlight, because when you give a fee for the workshops they need to start to think that you are budgeting for the time they are not seeing.



What is your favourite project type?
Mini albums and cards. 

What is your favourite colour in general? And to make projects with? (Not always the same!) 
I like to start my work with a white background, independently of the paper I am going to use. I love pastel colours, mint, pink and ivory almost always are in my work. However, y favourite colour in my daily life is blue, any variation of it but blue!
Where you go for inspiration?
I go to interior design magazines, I see a table decorated and I see the composition of cards! I only turn on the computer two hours a day, from 6 till 8 in the morning. From that time, I take 30mins to Pinterest to look for combinations of colours above all else. I follow from my blog great cardmaking artists that inspire me greatly. And when all else fails i go to walk by the 
Cañones del Cil in the Ribeira Sacra, very close to my home.

What is next for you?
I have the intention of being more visual in my Youtube channel this season. I am also going to focus more on online teaching although I do think this year I will have to travel much more than last.
I have several working proposals of which i cant talk now that I think they are going to help me internationally. I have two dreams in particular that I have been working in for a few years but for the time being I will only talk about one of them: to become part of the Design Team of Graphic 45, maybe in 2016? The other dream, I would like it to keep it to myself.

Thnak you so much Manoli, I hope those dreams become reality! (Sitges March 2015.)


You can find Manoli online here:

Conversaciones con los profesionales del scrap | Manoli Navarro "Picatua"


Hoy volvemos a España, esta vez a Galicia para conocer un poco mas a Manoli Navarro, o Manoli Picatua como es conocida en el mundo del scrap. Manoli es una gran profesional!



¿Cuándo y cómo empezaste en el mundo del scrap?
Empecé al mudarnos a Galicia en el 2004 pero en el digital, usaba los patrones digitales para imprimirme el papel para hacer tarjetas, pero los layouts los hacía digitales.
Cambiamos de vida muy drásticamente al nacer nuestra hija pequeña, nació muy prematura y con muchos problemas de salud.  Yo trabajaba en el mundo del Marketing y la publicidad en Madrid y de pronto estaba en una pequeña ciudad del interior de Galicia y sin poder trabajar fuera de casa al cuidar de la pequeña. Necesitaba distraer mi mente y dar salida a todas las emociones vividas y el scrap era una válvula de escape. Hasta el 2005 no hice mi primera página en papel.


¿Has trabajado a tiempo completo en el mundo del scrap?
Sí, desde el 2006.

¿Qué tipo de trabajo empezaste? Empezaste como creativo directamente?
Empecé vendiendo tarjetería a una colonia de Alemanes que vivía en Torrevieja, Alicante. Yo le mandaba por correo las tarjetas a mi madre y ella se las vendía a ellos todas las semanas.
Empecé a tener clientes fijos, pero empezaban a ser más exigentes y a pedir tarjetas más personalizadas, por eso cree mi blog.
Para octubre del 2006 encontré el primer foro en España de scrap de una tienda de Barcelona. Al poco tiempo me contrataron para llevar su tienda online a 1000km de distancia! Además de impartir talleres en línea y colaborar en su revista. Ya impartía talleres en Galicia desde el 2007 y en el 2008 impartí por primera vez talleres en la feria de Creativa Barcelona.

¿Cómo describes tu trabajo a día de hoy? (Por trabajo me refiero a como defines tu profesión)
Trabajo en algo que me apasiona, no me veo trabajando en otra cosa. Es una profesión dura porque necesitas ser multi función, pero me encanta lo que hago y creo en ello.
I work in something that I am passionate about, I can see myself working in anything else. It is a hard job because you need to be do many things at once, but I love what I do and I believe in it.

¿ Si pudieras volver a cualquier momento de tu carrera profesional en el mundo del scrap, que harías diferente?
Es una pregunta difícil, porque yo siempre digo que las vivencias son las que te ayudan a llegar a donde estás ahora y a lo mejor si no hubiera vivido profesionalmente todo lo que viví no sería quien soy en el mundo del scrap.
Quizá me hubiera atrevido a independizarme antes, me refiero a hacerme autónoma antes y no depender tanto de las tiendas.


¿ Que harías diferente en cuanto a estilo, tipo de proyectos y demás?
El estilo que tengo ahora es la evolución de todo lo que has ido probando por el camino.
Pero mi época colorista no me gusta demasiado.
Sobre proyectos no haría nada diferente, para mí los álbumes, alterados, o páginas de scrap tienen un porqué , independientemente del color o los papeles que se use.
De todo lo que has hecho cual es tu faceta favorita?
La formación presencial. He impartido talleres de todas las maneras, hasta en vivo online semana tras semana todos los viernes durante 3 años. Doy formación online por pdf desde mi blog y hago tutos para DT, pero lo que se siente en un taller presencial no se puede describir, los nervios por si se te olvida algo, la cara de ilusión de las alumnas cuando se llevan su proyecto en las manos, sus abrazos y su cariño…Eso no se puede contar, eso se vive.
¿Cuál es el momento del que te sientes más orgullosa de tu carrera en el mundo del scrap?
Ese momento ha sido este año, cuando se me invitó a impartir un taller en Chocolate Quente XL en Oporto en un evento internacional junto con 4 grandes artistas del mundo del scrap como Shimelle o Diane Schultz dueña de Graphic 45, fue un honor tenerles de compañeros.
Pero si de algo puedo estar orgullosa es del evento más grande que hay en Galicia del que yo soy la fundadora y que ya cuenta con su 5ª edición. Un evento en el que da igual si eres tienda, tallerista o scrapera todos ese día están sentados haciendo scrap cómo compañeros. Cerrando sus tiendas para poder asistir y disfrutar del evento sin competencias y sin malos rollos.

¿ Es difícil ser un profesional en el mundo del scrap? ¿ Puedes contar cuales son tus mayores desafíos y/o dificultades?
Sí, es muy difícil. Aquí te voy a ser muy sincera pues estamos entre amigos!
En España muy pocos somos profesionales, con profesionales me refiero a que estamos dados de alta en el régimen de Autónomo. Cuando te ofertas para dar talleres las tiendas son las primeras que no te piden que lo seas, por lo que todos pueden dar talleres.
Otro problema es la crisis, antes las tiendas y los talleristas luchábamos por el mismo camino, ahora supongo que al bajar ventas las tiendas poco a poco se convierten en nuestra misma competencia al bajar precios de talleres a tal grado que es imposible competir. Mi empresa es familiar, mi marido y yo trabajamos en ella pues no solo doy talleres, también soy artesana por lo que vendo sobre todo tarjetería para eventos.
De nuevo la crisis hace que por necesidad personas que no son profesionales vendan a precio de ganga sus artículos para bodas y otros eventos porque ellos no tienen que pagar impuestos y claro el cliente elige. Otro gran problema es el mantenerte al día con todas las redes sociales. Si estas creando en mi caso para una DT, para mi tienda online, para impartir talleres y para ferias cuando publicitas? Cuando actualizas el blog? Cuando contestas e interactuas con tus seguidores?
Una pequeña empresa como la mía no se puede permitir un community manager o un social media manager. Por lo que siempre estás en el filo del abismo para no robarle horas a tu familia así que terminas robándolas al sueño. Podría seguir pero creo que ya lo voy a dejar aquí… Porque a pesar de todo esto merece la pena. 

¿ Que crees que es mas importante en esta industria: Talento creativo, suerte o trabajar duro?
El trabajo duro por supuesto. Uno puede tener mucho talento y ser muy creativo, pero si quieres sobrevivir en este mundo no lo harás si no te esfuerzas al máximo y persistes a pesar de todo. Durante todos estos años he visto como otros artistas subían por su talento a la hora de crear y su marketing, pero lo difícil no es subir, lo difícil es seguir.
¿Qué cambios te gustaría que se hicieran en el mundo del scrap profesional? En especial con respecto a los creativos.
Me encantaría que al igual que en el gremio de artesanos, hubiera una especie de legislación, algo que regulara precios y condiciones laborales. Que nos protegiera a los profesionales tanto del plagio, del abuso y del intrusismo. Una especie de asociación.  
En España sobre todo hay mucho desconocimiento de lo que es un profesional del scrap, por eso a la hora de negociar precios y talleres hay conceptos que ni las tiendas entienden, cómo que es obligatorio pagar una compensación por cancelación de un taller. Como profesional has elaborado un presupuesto, has reservado una fecha y te encuentras con que tres días antes te lo cancela la tienda porque no llena lo que ella esperaba. Tu como profesional has perdido un día de trabajo físico, pero a lo mejor una semana de trabajo real preparando kits y el proyecto.  
A las marcas, empresas y tiendas se les olvida que no solo estás trabajando el día que te contratan para el taller, si no que mientras has preparado el taller le has dedicado a lo mejor una semana completa que nadie te paga. Eso es algo que querría destacar, porque cuando das una tarifa de talleres empiecen a pensar que estas tarifando por el tiempo que no se ve también.

¿Cuál es tu tipo favorito de proyectos? 
Los mini álbumes y las tarjetas sin duda.

Y ¿cuál es tu color para crear? Es distinto de tu color favorito en general?
Me gusta empezar a trabajar sobre un fondo blanco, independientemente del papel que use. Me encanta los colores pasteles el mint el rosa palo y el marfil casi siempre forman parte de mis trabajos.
Aunque mi color favorito en mi vida diaria es el azul, en todas sus variantes pero el azul!

¿A dónde vas para buscar inspiración?
A las revistas de decoración de hogar, miro una mesa decorada y veo composición de tarjetas! Solo enciendo el ordenador dos horas al día de 6 de la mañana a 8 de la mañana. Y  de ahí dedico 30 min a Pinterest, a buscar combinaciones de colores sobre todo. Sigo en mi blog a grandes artistas sobre todo de tarjetería que me inspiran mucho. Y cuanto todo eso falla pues me voy a pasear a los Cañones del Cil en plena Ribeira Sacra muy cerca de casa.

Y finalmente ¿ Qué podemos esperar de ti en un futuro próximo? ¿ Algún sueño por explorar? 
Me he propuesto ser más visual en mi canal de youtube en esta nueva temporada. También me voy a centrar de nuevo en la formación online aunque creo que este año me toca viajar mucho más que el anterior.  
Tengo varias propuestas laborales de las que aún no puedo hablar que creo que me van a ayudar a crecer de forma internacional. Tengo dos sueños en particular por los que llevo trabajando varios años ya pero solo te puedo hablar de uno de momento, llegar a formar parte de la DT de Graphic 45, quizá en el 2016?
El otro prefiero guardármelo para mí. 
Te acuerdas cuando nos conocimos? 
Te cuento cuando te conocí: En el 2012 en Creativa Madrid. Yo estaba impartiendo talleres para una tienda Madrileña que vendía los troqueles de Sizzix que tú estabas utilizando en una demostración al lado nuestro. Las clientas querían el troquel de mariposas con los sellos a juego de la página que tenías en la demo y la dueña de la tienda me pidió que fuera a preguntarte cual era el modelo.
Cuando llegué a tu stand y vi todo lo que creabas con un simple troquel y un sello me preguntaba a mí misma que cómo no se me había ocurrido a mí! Estaba maravillada.
A partir de ahí me hice seguidora de tu blog!

Que memoria! Muchas gracias Manoli. (Foto: en Sitges en marzo de 2015.)


Puedes encontrar a  Manoli aquí:

Website | Blog | Facebook | Instagram | Pinterest |  Twitter | Youtube 




Monday, 5 October 2015

Craft Asylum | Birthday Card


Click here or on the photo to read more about it.

A scrapbooking style birthday card

Today I am sharing a birthday card that has a distinct scrapbook vibe.


Last time I did a layout using the same items, but this time I wanted to create a card to give that is completely personalise. 
Basically is a 6 x 4 card that has a photo of the receiver, to be a completely personal card. 
Here is what I used to make it:



I die cut the Be happy - from the Sizzix Thinlits Die Set 3pk Happiness Phrases - directly on the white 6 x 8 card. I then added the photo (layered on to a card from the 6 x6 paper pad) and added the die cut flowers and branch.


As the Be was hidden away, I die cut them again with pink paper (from the 6" pad) and attached them to the card.


The die cut on the card becomes almost a shadow.




I added one of the die cut card from the 12" pad inside.


Saturday, 3 October 2015

Big Shot Starter Kit | Cards


Just a quick card I made back in 2012 using the Big Shot Starter kit. I love this one!

I used an old map of Paris to die cut the different hearts (larger Framelit die), then I stamped the message using one of my Sentiment stamp and die cut with the smaller label Framelit.

The rectangled were die cut using the Sizzix Framelits Die Set 10PK - Rectangles #2 658610.

I am so happy the Starter kit is back!

Thursday, 1 October 2015

Craft Conversations with the Pros | Shari Carroll

The professional today is someone who I have admired  since I discovered Hero Arts back in early 2003, Shari Carroll. An incredibly talented designer and author, I cant express how happy and honoured I am to feature her today in this Conversations.

Lets hear from Shari.



When and how did you start working in the craft industry? 
My friend was colouring cards at home as a part time job and I was looking for some type of work to do at home so I inquired. On my due date with my second boy Scooter, I started working for Hero Arts. This was 1989.  

Was it full time? Part time? 
I worked about 15 to 20 hours a week to start off.  

What type of job did you have at first? Did you started as a creative straight away? 
I coloured sets of cards for store display boards. We used Marvy markers on glossy cardstock back in those days. Not much else to work with really, the industry was very young at that point. Shortly after, I went out to stores and demonstrated new stamps and heat embossing. Eventually I started doing catalog sample work.  


How do you describe your job nowadays? 
In 2013, after 24 years, I left Hero Arts to go work for Simon Says Stamp where I design stamps, dies, stencils, inks and bring new product to the market under the Simon Says Stamp brand name. I also photograph new releases and create the graphics which are used for the web and social media. In the studio, I create videos and samples for blog posts. The best part of my job is having such diverse product at my fingertips to use on my projects. 

Out of everything you do and have done, what is your favourite? 
My favourite is the process involved in having a concept stamp set idea, designing it, seeing it go through the process of production, finally when it is released, to see consumers use them on their cards!  

Your proudest moment and achievement in this industry? 
My development of the Mid-Tone inks for Hero Arts was definitely my proudest moment.  The way things had worked was, ink companies had colors to chose from. I pushed them to make custom colors, this was new and exciting! I feel it changed the way we looked at colors and choices. It started an ink craze.  

Is it hard to work full/part time in the craft industry? Can you name your major challenges you face working in this industry? 
Good question! I am so incredibly blessed to be able to work in this field. For me, it's the best job ever! I work doing my hobby! I am deadline driven and work well under pressure. I am the type to stay up into the late hours of the night to get the job done on time. I've worked from home all these years and the biggest challenge for me is disciplining myself and managing my time.  


What do you think is more important to succeed in this industry: creative talent, hard work or luck? 
My route to success was definitely hard work. I remained behind the scenes for many years, just doing what I do, not looking for fame or fortune. For those looking to break into the industry, it's all about exposure. Get yourself and name out there! Social media is one of the best tools to use. 
If you could go back in time, what would you do differently career wise? 
I'm rather shy and didn't do much to promote myself, I could have done better at that. Also, I would probably return to school for computer courses. I am self taught in Adobe Illustrator which is what I use for design work.

What is your favorite project type to make? 
I love multi medium and messy projects on canvas. My signature style is layering and that's exactly what I love doing. Layering anything!

What is your favourite color in general? And to make projects with? 
My favourite color right now are shades of Aqua.  My base color is grey... I love GREY! I used to love natural tones of greens and browns. 

What kind of technique, project and product you are loving right now? 
I'm loving a couple tools right now especially the Fuse tool to make shaker cards and pockets. Also the Minc machine for foiling. 

Would you like to do something differently style, technique, project wise? 
I'm a terrible blogger and YouTuber! I would like to improve those. I would like to be more efficient in the studio and create more projects especially multi medium canvases. 
I am looking at remodelling the studio with better organisation which would help tremendously. 

Where do you go for inspiration? 
I look through Pinterest. I like looking at photography, colours, and fabric textiles.

And finally, What is next for you? Any art or craft dreams to be explored? 
I am so happy where I'm at. I love doing what I do and feel accomplished.  

You can find Shari here: 



Monday, 28 September 2015

Sizzix | Diorama card

How to assemble the Diorama Card


I love 3D cards so I have always like Diorama cards. Now there is a die that allows you to create 5" square dioramas very simply!



I used the Card, Diorama Gatefold -  Sizzix Thinlits Plus Die Set 15PK - 660845. If you don't own a Big Shot Plus, fear not, as this die will fit through the standard 6" Big Shot.


First die cut the front, using the base card die  and one of the spare dies to create a window. I used the smaller one.


The large die already sores perfectly to either side.


To create the middle part, I die cut using the base card die and then I used the intricate die to help me position the circle die in the perfect place.


Once die cut I had a perfect circular aperture. you can of course use different dies for this, just make sure to secure them in place with tape.


Finally, die cut the base card die using no apertures for the back (blue). As a base, its also a 5" square gatefold card.


If you would like a simple diorama, with two pieces like on the photo would suffice.


To create a middle one though, you will need to trim the edges of each side. I trimmed 1 1/4 which is half way.


Then, it all works as it should.


To glue the part, fold the core lines, aline the the edge of the middle piece to the score edge of the base and glue.


Press well to make sure it's well bonded. Turn over and do the same with other side.


Then repeat the same process with the front panel.


 Make sure that all elements are well glued and that they fold flat.
Then it is time to decorate! Just make sure that you glue things to just one layer.


I hope you have fun creating with this Diorama card!

Thursday, 24 September 2015

Craft Conversations with the Pros: Marion Emberson

Today is turn to ask the Craft questions to another of my dear friends: Marion Emberson.


 When and how did you start in the craft industry? 
I officially started 12 years ago with the opening of my shop Sugar and Spice Crafts, although I'd been making for many years.
Was it full time? Part time? 
I went straight into full time in to running the shop.
What type of job did you have at first? Did you started as a creative straight away?
As soon as the shop was up and running, I started teaching classes.
How do you describe your job nowadays?
Just recently - June 2015- I closed the shop to concentrate on other opportunities. I consult and design for a couple of craft companies.

Clear stamps designs by Marion for Personal Impressions.



What would you do differently?  
I wouldn't change a thing as the experience I gained from running the shop has led me to hold these current positions.

Be true to yourself and don't try to do anything that isn't you.
Is it hard to work full/part time in the craft industry? Can you name your major challenges you face?
The hardest thing is keeping on top of all the products and trends, as they are forever changing, although if you hang in there, they come round again :) 
Out of everything you do and have done, what is your favourite?
I absolutely love teaching, I love sharing and learning from the students, we all have so many different ideas from the same product.



 Your proudest moment and achievement?
A was a guest presenter on QVC UK for two years, and although a little bit stressful, I loved it.
 What is your favourite project type (mini albums, cards, layouts, home decor...) and colour? 
Well colour has to be …..Teal….and anyone who knows me reading this would expect no less ! 
I really do love Pocket Scrapbooking, Card Making, Mini Albums, Home Decor, Scrapbooking - I've probably listed them all, it depends on the product as to the project, if that makes sense.


Where you go for inspiration?
Pinterest although I've kept all of my US PaperCraft and Creating Keepsakes mags and like to have a flick through and once a seed is sown…well…
What is next for you?
I've been teaching here and in the US to both consumers and retailers but this year I'm actually teaching at 4 stores in the US, I'm really looking forward to that. Hopefully I'll be able to do more of that, if they'll have me back !


 And finally, Do you remember when we first met? Any good/bad impressions?
You're asking a 51 year old menopausal woman, I can't remember yesterday, but I do know it feels like I've known you for many years, in fact, yes, I have known you for many years, but I have no idea where we met, probably a trade show. You're an inspiration to me and I bow down to you. I think I got my clean and simple style from you….So thank you for that :) 

You can find Marion here:

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